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Issue 9
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Interview

Profile: Emily Jeanne Brown

Emily Jeanne Brown’s music is a conversation with herself. Her first release, which came out last month, is a cover of Bruce Springsteen’s “I’m on Fire,” and she has an original song titled “Begin” that was released earlier this month. .

By Leah Williams

Interview

These Violent Delights Interview

Paul in particular was a crucible, because the story is vacuum-sealed inside his head and he’s in virtually relentless agony. He was cathartic to write, because his pain and rage came from such a real and visceral place for me, but for that same reason he was absolutely exhausting. Julian’s story was rough for different reasons—he just wears it well, and Paul himself doesn’t notice as much as the reader might.

Interview by Quentin Greif

Long Read

Cocktail Hour by Yvonne Conza

Four houses on your left, the boxy white one trimmed in turquoise, that’s my place. Wagging his index finger in the direction of my chest he popped, Little chilly? I play for the other team. Downshifting his voice, as though right out of a movie, he added, I’m Jake, your welcoming committee. A swing in the back yard under a shady oak tree makes up for the frontal ugly of my house

by Yvonne Conza

Curated

Emily Davidson

Painting


Poetry

THREE (3)

Ann Pedone

Interview

Profile: Emily Jeanne Brown

Emily Jeanne Brown’s music is a conversation with herself. Her first release, which came out last month, is a cover of Bruce Springsteen’s “I’m on Fire,” and she has an original song titled “Begin” that was released earlier this month. .

By Leah Williams

Interview

These Violent Delights Interview

Paul in particular was a crucible, because the story is vacuum-sealed inside his head and he’s in virtually relentless agony. He was cathartic to write, because his pain and rage came from such a real and visceral place for me, but for that same reason he was absolutely exhausting. Julian’s story was rough for different reasons—he just wears it well, and Paul himself doesn’t notice as much as the reader might.

Interview by Quentin Greif

Long Read

Cocktail Hour by Yvonne Conza

Four houses on your left, the boxy white one trimmed in turquoise, that’s my place. Wagging his index finger in the direction of my chest he popped, Little chilly? I play for the other team. Downshifting his voice, as though right out of a movie, he added, I’m Jake, your welcoming committee. A swing in the back yard under a shady oak tree makes up for the frontal ugly of my house

by Yvonne Conza

Curated

Emily Davidson

Painting


Poetry

THREE (3)

Ann Pedone

Interview

Profile: Emily Jeanne Brown

Emily Jeanne Brown’s music is a conversation with herself. Her first release, which came out last month, is a cover of Bruce Springsteen’s “I’m on Fire,” and she has an original song titled “Begin” that was released earlier this month. .

By Leah Williams

Interview

These Violent Delights Interview

Paul in particular was a crucible, because the story is vacuum-sealed inside his head and he’s in virtually relentless agony. He was cathartic to write, because his pain and rage came from such a real and visceral place for me, but for that same reason he was absolutely exhausting. Julian’s story was rough for different reasons—he just wears it well, and Paul himself doesn’t notice as much as the reader might.

Interview by Quentin Greif

Long Read

Cocktail Hour by Yvonne Conza

Four houses on your left, the boxy white one trimmed in turquoise, that’s my place. Wagging his index finger in the direction of my chest he popped, Little chilly? I play for the other team. Downshifting his voice, as though right out of a movie, he added, I’m Jake, your welcoming committee. A swing in the back yard under a shady oak tree makes up for the frontal ugly of my house

by Yvonne Conza

Curated

Emily Davidson

Painting


Poetry

THREE (3)

Ann Pedone

Interview

Profile: Emily Jeanne Brown

Emily Jeanne Brown’s music is a conversation with herself. Her first release, which came out last month, is a cover of Bruce Springsteen’s “I’m on Fire,” and she has an original song titled “Begin” that was released earlier this month. .

By Leah Williams

Interview

These Violent Delights Interview

Paul in particular was a crucible, because the story is vacuum-sealed inside his head and he’s in virtually relentless agony. He was cathartic to write, because his pain and rage came from such a real and visceral place for me, but for that same reason he was absolutely exhausting. Julian’s story was rough for different reasons—he just wears it well, and Paul himself doesn’t notice as much as the reader might.

Interview by Quentin Greif

Long Read

Cocktail Hour by Yvonne Conza

Four houses on your left, the boxy white one trimmed in turquoise, that’s my place. Wagging his index finger in the direction of my chest he popped, Little chilly? I play for the other team. Downshifting his voice, as though right out of a movie, he added, I’m Jake, your welcoming committee. A swing in the back yard under a shady oak tree makes up for the frontal ugly of my house

by Yvonne Conza

Curated

Emily Davidson

Painting


Poetry

THREE (3)

Ann Pedone

Interview

Profile: Emily Jeanne Brown

Emily Jeanne Brown’s music is a conversation with herself. Her first release, which came out last month, is a cover of Bruce Springsteen’s “I’m on Fire,” and she has an original song titled “Begin” that was released earlier this month. .

By Leah Williams

Interview

These Violent Delights Interview

Paul in particular was a crucible, because the story is vacuum-sealed inside his head and he’s in virtually relentless agony. He was cathartic to write, because his pain and rage came from such a real and visceral place for me, but for that same reason he was absolutely exhausting. Julian’s story was rough for different reasons—he just wears it well, and Paul himself doesn’t notice as much as the reader might.

Interview by Quentin Greif

Long Read

Cocktail Hour by Yvonne Conza

Four houses on your left, the boxy white one trimmed in turquoise, that’s my place. Wagging his index finger in the direction of my chest he popped, Little chilly? I play for the other team. Downshifting his voice, as though right out of a movie, he added, I’m Jake, your welcoming committee. A swing in the back yard under a shady oak tree makes up for the frontal ugly of my house

by Yvonne Conza

Curated

Emily Davidson

Painting


Poetry

THREE (3)

Ann Pedone