There is racism, poverty, homophobia. Florida boasts one of the highest numbers of hate groups of any state. But it’s a great place to go on spring break (in fact, Harmony Korine’s 2012 film Spring Breakers was shot in St. Petersburg). The landscape is beautiful. There’s a complex and contradictory history.

Interview by Quentin Greif

I know it’s just a door. But to me it’s more than a door. It’s an oasis in a desert of tackiness, stupidity and unbridled inbreeding. It’s beautiful. It’s unadorned. It’s steel. It’s brown. It’s not even brown. It’s not even a color.

By Whitney Porter

What we might largely consider a macabre and even morbid gesture, these artefacts instead acted as celebratory tokens for their owners, conjuring memories of a loved one and even standing in for a non-existent body.

By Samantha Ozer

How bright life sits just above its melancholy brother…

By Olivia Hebert

There is racism, poverty, homophobia. Florida boasts one of the highest numbers of hate groups of any state. But it’s a great place to go on spring break (in fact, Harmony Korine’s 2012 film Spring Breakers was shot in St. Petersburg). The landscape is beautiful. There’s a complex and contradictory history.

Interview by Quentin Greif

I know it’s just a door. But to me it’s more than a door. It’s an oasis in a desert of tackiness, stupidity and unbridled inbreeding. It’s beautiful. It’s unadorned. It’s steel. It’s brown. It’s not even brown. It’s not even a color.

By Whitney Porter

What we might largely consider a macabre and even morbid gesture, these artefacts instead acted as celebratory tokens for their owners, conjuring memories of a loved one and even standing in for a non-existent body.

By Samantha Ozer

How bright life sits just above its melancholy brother…

By Olivia Hebert

There is racism, poverty, homophobia. Florida boasts one of the highest numbers of hate groups of any state. But it’s a great place to go on spring break (in fact, Harmony Korine’s 2012 film Spring Breakers was shot in St. Petersburg). The landscape is beautiful. There’s a complex and contradictory history.

Interview by Quentin Greif

I know it’s just a door. But to me it’s more than a door. It’s an oasis in a desert of tackiness, stupidity and unbridled inbreeding. It’s beautiful. It’s unadorned. It’s steel. It’s brown. It’s not even brown. It’s not even a color.

By Whitney Porter

What we might largely consider a macabre and even morbid gesture, these artefacts instead acted as celebratory tokens for their owners, conjuring memories of a loved one and even standing in for a non-existent body.

By Samantha Ozer

How bright life sits just above its melancholy brother…

By Olivia Hebert

There is racism, poverty, homophobia. Florida boasts one of the highest numbers of hate groups of any state. But it’s a great place to go on spring break (in fact, Harmony Korine’s 2012 film Spring Breakers was shot in St. Petersburg). The landscape is beautiful. There’s a complex and contradictory history.

Interview by Quentin Greif

I know it’s just a door. But to me it’s more than a door. It’s an oasis in a desert of tackiness, stupidity and unbridled inbreeding. It’s beautiful. It’s unadorned. It’s steel. It’s brown. It’s not even brown. It’s not even a color.

By Whitney Porter

What we might largely consider a macabre and even morbid gesture, these artefacts instead acted as celebratory tokens for their owners, conjuring memories of a loved one and even standing in for a non-existent body.

By Samantha Ozer

How bright life sits just above its melancholy brother…

By Olivia Hebert

There is racism, poverty, homophobia. Florida boasts one of the highest numbers of hate groups of any state. But it’s a great place to go on spring break (in fact, Harmony Korine’s 2012 film Spring Breakers was shot in St. Petersburg). The landscape is beautiful. There’s a complex and contradictory history.

Interview by Quentin Greif

I know it’s just a door. But to me it’s more than a door. It’s an oasis in a desert of tackiness, stupidity and unbridled inbreeding. It’s beautiful. It’s unadorned. It’s steel. It’s brown. It’s not even brown. It’s not even a color.

By Whitney Porter

What we might largely consider a macabre and even morbid gesture, these artefacts instead acted as celebratory tokens for their owners, conjuring memories of a loved one and even standing in for a non-existent body.

By Samantha Ozer

How bright life sits just above its melancholy brother…

By Olivia Hebert